domingo, 11 de abril de 2010

ALICE IN WONDERLAND

Development
Joe Roth was the developer of Alice in Wonderland in April 2007 in Walt Disney Pictures as a writer Linda Woolverton and collaboration, among others, Justin Pollard (Visual Artefact) [4] as a technical advisor, literary and characters. That November, Burton signed with Disney to direct two films in Disney Digital 3-D, which included Alice in Wonderland and its new version of Frankenweenie. He explained "the goal is to try to make a movie where you can get attractive Dela alguana psychology, but also keep the classic nature of Alice." In previous versions, Burton said, "It's always a crazy girl wanders from one character to another, and never really felt any emotional connection." His goal with this new film is to give the story "under any antecedent emotional" and "to try to make Alice a story instead of a series of events." Burton focused on the poem Jabberwocky as part of its structure. Burton also stated that he does not see the version, either as a sequel to any existing or Alicia film as a "re-imagined."

Filming
This film was originally scheduled to be released in 2009, but was postponed until March 5, 2010. Principal photography is scheduled for May 2008 but did not begin until September and ended three months later. Scenes that take place in the Victorian era were filmed at Torpoint and Plymouth from 1 September to 14 October. 250 local extras were chosen at the beginning of August. Locations included Antony House in Torpoint, Cornwall Charlestown, and The Barbican. Filming began in early October, Sony Pictures Studios in Culver City, California. Filming of the portion of the insertion of the chroma, which formed 90% of the film was made in just forty days. Many of the cast and staff felt nauseous after having filmed many hours surrounded by green crystal lavender Burton installed on their glasses offset the effect.
Sony Pictures Imageworks designed the special effects sequences. Burton felt it was appropriate third dimension to the mood of the story. Burton and Zanuck chose to shoot the film with conventional cameras and then convert the 3-D footage during post-production; Zanuch explained that the 3-D cameras were very expensive and "rude" to be used, and felt that there was no difference made between developed and scenes footage shot in that format. (The director James Cameron, who launched his film Avatar in 3-D, Burton criticized the choice of saying "makes no sense to shoot in 2-D and then made a 3-D.") Filming also took place at Culver Studios .

JOSE GERARDO CARRAZCO LARA

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